Nincsenek bejegyzések.
Nincsenek bejegyzések.
skip to main |
skip to sidebar
Kusthochschule für Medien Köln
2015.
On the edge of perceptibility.
at Kunsthalle Budapest.
2014.
Search in archive: Volume project 2014. 05. 28.
Watch and listen together.
with artist Emily Verla Bovino
2014.
This audio performance was based on the research works of scientist Royal R. Rife. More information about this project at: http://amigzajfive.blogspot.com/
/video by Cindy Yeh
/photo by Christopher Steven Wormald
The sonic elements featured in the installation are derived from microphones planted within two analog tape recorders. These devices, invented for the documentation, preservation and conservation of sound, are used to provide the "voices" that play protagonist to the piece: streamed through a computer, the sounds are subtly manipulated and played back onto surrounding speakers, thus accentuating specific defining characteristics of the devices themselves. The resulting composition circles around the machines, situated at the center of a sculptural formation that consists of four speakers, two tape recorders (Akai 4000 DS and Tesla B 100) and a small neon strip lamp on supporting structure.
Sound installation with feedback. Hungarian University of Fine Arts Budapest,
❉ ❉ ❉
❉ ❉ ❉
❉ ❉ ❉
❉
feher
amigzaj-five
digital synth, processed field recordings
online release 2018
2
larynx
by amigzaj & k2
3
5
Prakfield Review, 2013
4
6
amigzaj 3
All of the sonic elements on the recording are derived from microphones planted within two analog tape recorders (series Akai 4000DS, Tesla B100).
Recorded in Prague during February and March 2010.
7
8
DAC~amigzaj
Recorded live @ Old Sewage Cleaning Station, Prague, Czech Republic
September 2009
amigzaj-feedback processing
DAC-field recordings and electronics
9
11
Amigzaj 1
Various recordings from 2008 - 2009
Various recordings from 2008 - 2009
12
gif
Line
Vertical Acoustics
drone, piano-wire, aluminum pendulum
performance
2017
Battery Harris
VA2
VA3
Drone on Wire
3D animation, 2015
Wave, 2017 (unfinished)
small-scale 3d print, aluminum
wave vizualization plan
wave_section_5cm_320db
Wave, 2017
section plan
Waves and Grid
vonal01
SET MY MIND IN MOTION
audiovisual performances
1 July (wed) 8 pm
AMIGZAJ-FIVE / VERSION (A History of Rife's Instruments and Frequencies)
live performance
8 July (wed) 8 pm
PAV SOUNDS
live performance in collaboration with Márton Kristóf
15 July (wed) 8 pm
LOGICAL VOLUME IDENTIFIER
co-author: Emily Verla Bovino
audiovisual performance
The venues are hosted by the Horizont Gallery in Budapest
www.horizontgaleria.hu
audiovisual performances
1 July (wed) 8 pm
AMIGZAJ-FIVE / VERSION (A History of Rife's Instruments and Frequencies)
live performance
8 July (wed) 8 pm
PAV SOUNDS
live performance in collaboration with Márton Kristóf
15 July (wed) 8 pm
LOGICAL VOLUME IDENTIFIER
co-author: Emily Verla Bovino
audiovisual performance
The venues are hosted by the Horizont Gallery in Budapest
www.horizontgaleria.hu
Lynch
"It is by the juice of sapho that thoughts acquire speed, the lips acquire stains, the stains become a warning. It is by will alone I set my mind in motion."
dash
Scripps_offices
Scripps offices, 2015
link
vonal
On the path of light and sight
3D animation and video
2014.
"The file that accompanied Rife’s object in the archive of the Science Museum of London included a drawing Rife made to depict the optical system of the microscope. I used this drawing in the animation I made after my visit to the Museum -- a visit during which I spent approximately 35 hours studying and scanning the forms of individual components of the microscope. During this intensive period of "investigating" the object through a three-dimensional digital scanner, I felt compelled to take video through several of the microscope's lenses. The encounter between my camera and the microscope produced a number of video sequences in which the microscope appears to "investigate" and "scan" the room around it."
3D animation and video
2014.
"The file that accompanied Rife’s object in the archive of the Science Museum of London included a drawing Rife made to depict the optical system of the microscope. I used this drawing in the animation I made after my visit to the Museum -- a visit during which I spent approximately 35 hours studying and scanning the forms of individual components of the microscope. During this intensive period of "investigating" the object through a three-dimensional digital scanner, I felt compelled to take video through several of the microscope's lenses. The encounter between my camera and the microscope produced a number of video sequences in which the microscope appears to "investigate" and "scan" the room around it."
anima
optic
vonal02
Egy (szabad elme) topológiai tájképe - Topological landscape of a (free mind)
Installation, multiple media
@ Venue Isolator
2015
Izo
Izo2
vonal
Egy (szabad elme) topológiai tájképe - Topological landscape of a (free mind)
Installation, multiple media
Kusthochschule für Medien Köln
2015.
mic
topology4
topology2
topology1
topology3
vonal2
PAVILION-pavilion
Installation, reel-to-reel tape recorders, audio feedback
at Kunsthalle Budapest.
2014.
mindketto
pav
folyoso
vonal3
>>for internet radio and scroll montage>>
Search in archive: Volume project 2014. 05. 28.
LVI
vonal4
Amigzaj-five
This audio performance was based on the research works of scientist Royal R. Rife. More information about this project at: http://amigzajfive.blogspot.com/
/video by Cindy Yeh
/photo by Christopher Steven Wormald
2012.
cage
vonal5
Synesthesia Project 2011
Sounding object is a result of interviews with people with blindness, asking them about their perception. One of them contributed to the piece with his own field recording, which is an audial reconstruction of his remarkable experience related to perception.
Read the interview here: >http://projectsynesthesia.blogspot.sk/
braille
vonal6
Temporal extension of one instantaneous end
(extension time optional)
The sonic elements featured in the installation are derived from microphones planted within two analog tape recorders. These devices, invented for the documentation, preservation and conservation of sound, are used to provide the "voices" that play protagonist to the piece: streamed through a computer, the sounds are subtly manipulated and played back onto surrounding speakers, thus accentuating specific defining characteristics of the devices themselves. The resulting composition circles around the machines, situated at the center of a sculptural formation that consists of four speakers, two tape recorders (Akai 4000 DS and Tesla B 100) and a small neon strip lamp on supporting structure.
Karlín Studios, Prague, 2010.
audio-visual performance @ Skolska 28 Prague, 2010.
/video by Attila Zérczi
TEOIE
vonal7
PAVILION-pavilion
Sound installation with feedback. Hungarian University of Fine Arts Budapest,
/photo and video by Attila Zérczi
2009.
TAPE
P-p
Pavil02
vonal8
Falling down
arrow
❉ ❉ ❉
❉ ❉ ❉❉ ❉ ❉
❉ ❉ ❉
❉ ❉ ❉
❉ ❉ ❉
❉ ❉ ❉ ❉ ❉
❉ ❉ ❉❉
falling architecture
Links
.
